New Signed Artist: Tamara D’Amato

What to include in an illustrator portfolio and how to spot snakes! (In the children’s publishing and decorative market) Art directors scan agency portfolios and websites rapidly. They are mentally processing the acquisitions list they’re looking to fulfil, remembering what the rights team said sells well in a particular market, and giving serious artistic consideration…

AI-generated imagery is becoming harder to spot, but for artists, art directors, and audiences alike, learning to recognise the signs matters more than ever. From strange anatomy and inconsistent lighting to nonsensical details and overly polished textures, AI art often reveals itself the longer you look. It can imitate style, but it struggles to capture…

Are you an illustrator looking for open calls and opportunities? The work is out there, and you are not invisible, although sometimes in such a competitive environment, we understand it is natural to worry that you are going unseen. The fact is, you just need to know where to look and how to show up…

Graphic novels are having a moment and it’s no passing trend. From classrooms to bestseller lists, graphic novels are dominating shelves and reading time across all ages. What was once seen as a niche format with a distinct, heavy-lined “comic book” aesthetic has exploded into a dynamic, expressive medium that spans every style and genre…

“I don’t have any client work, what do I even put in my portfolio?”  This is one of the more common worries we hear from illustrators who are new to developing their portfolios, but we want to encourage you to reframe this question: Having no client work isn’t a weakness, try to view this as…

How do you connect with clients and agents? It’s a question that comes up again and again, and often you will hear people focus on visibility, being seen at the right events, posting your work constantly and having a strong presence on social media. But connection isn’t just about being visible. It’s about being remembered,…